The Songs Of Slavery and Emancipation project presents recently discovered songs composed by enslaved people and explicitly calling for resistance to slavery. Some originate as early as 1800 and others as late as the outbreak of the Civil War. The project also includes long-lost songs of the abolitionist movement, some of which were written by fugitive slaves as well as free black people, challenging common misconceptions of abolitionism.
Thirty one songs are presented in a beautiful hard cover bound double CD and digital download containing new performances in a traditional style by numerous contributing artists.
An accompanying 64 page liner notes booklet includes complete lyrics as well as reproductions of historic documents. The liner notes also include essays by the album’s producer Mat Callahan, scholar Robin D.G. Kelley and activist organizer Kali Akuno.
“These songs of slavery and emancipation, some written more than two hundred years ago, are not only important historically; they have a direct bearing on today’s movements for social and economic transformation. When you hear songs like “Nat Turner” or “Hymn of Freedom,” it’s almost as if they were written yesterday. They bring inspiration and revolutionary clarity to contemporary struggles.
Songs of Slavery and Emancipation brings a whole era of resistance forward into the twenty-first century. To forget the lessons of the revolt and rebellion of the enslaved or the organizing of the abolitionist networks and the Underground Railroad is to condemn people to the false belief that because one of us is Black and the other is white we can’t unite, we don’t have anything in common, and we can’t work together. And this goes for people of all ethnicities, places of origin, and genders.
We must not forget this history. These songs can make an important contribution. They provide a popular art form that can help people understand all Americans’ history and participate in our contemporary struggles. Songs of Slavery and Emancipation carries crucial history that enlivens our collective memory and helps keep the spirit of resistance strong and moving forward.”
- Kali Akuno
Executive Director of Cooperation Jackson
The Songs of Slavery and Emancipation project encompasses a:
• Double CD
• Full length book published by the University Press of Mississippi
• Documentary film - The film is available to watch starting June 17th at www.arthistorypolitics.com.
Order the CD and (soft cover) book combination here and receive our special discounted price by combining both items.
The soft cover book is usually $30 and the double CD is $30. Get them both here together for $50.
The Songs of Slavery and Emancipation project presents recently discovered songs composed by enslaved people and explicitly calling for resistance to slavery. Some originate as early as 1800 and others as late as the outbreak of the Civil War. The project also includes long-lost songs of the abolitionist movement, some of which were written by fugitive slaves as well as free black people, challenging common misconceptions of abolitionism.
Thirty one songs are presented in a beautiful hard cover bound double CD containing new performances in a traditional style by numerous contributing artists.
An accompanying 64 page liner notes booklet includes complete lyrics as well as reproductions of historic documents. The liner notes also include essays by the album’s producer Mat Callahan, scholar Robin D.G. Kelley and activist organizer Kali Akuno.
The album will also be available via digital download and streaming services.
A companion full length book, published by the University Press of Mississippi, documents the sources of these newly released songs, as well as providing historic context.
Songs of Slavery and Emancipation
By Mat Callahan
Introduction by Robin D. G. Kelley
Afterword by Kali Akuno
University Press of Mississippi www.upress.state.ms.us
MAT CALLAHAN is a musician and author originally from San Francisco. He is author of five books including The Explosion of Deferred Dreams: Musical Renaissance and Social Revolution in San Francisco, 1965–1975 and A Critical Guide to Intellectual Property. His recent projects include the republication of Songs of Freedom: The James Connolly Songbook by Irish revolutionary James Connolly; the recording and publication of Working-Class Heroes: A History of Struggle in Song: A Songbook; and the launch of the multimedia project Songs of Slavery and Emancipation, which includes this book, a CD of song recordings, and a film.
...more
Join
now to receive all the new
music
Jalopy Records releases,
including
44 back-catalog items,
delivered instantly to you via the Bandcamp app for iOS and Android.
You’ll also get access to
supporter-only
exclusives.
Learn more.
The Voice of Six Hundred Thousand Nominally Free
To the tune of: The Marseillaise
source: The Emancipation Car (1854) pg. 27-28
author: Joshua McCarter Simpson
composer: "The Marseillaise" - Claude-Joseph Rouget de Lisle 1792
Come, friends, awake! The day is dawning,
’Tis time that we were in the field;
Shake off your fears and cease your yawning,
And buckle on your sword and shield,
And buckle on your sword and shield,
The enemy is now advancing,
The Tyrant-Host is great and strong
But ah, their reign will not be long,
We shrink not at their war-steeds prancing.
Stand up, stand up my boys,
The battle field is ours;
Fight on! Fight on! all hearts resolved,
To break the Tyrant’s power.
The men of God have quite deserted
The battle-field and gone their way;
The world will never be converted,
While tyrants bear despotic sway;
While tyrants bear despotic sway;
The infidels are quite astounded,
And Atheists do speechless stand,
To see God’s image wear the brand,
While with God’s word, they thus surrounded,
Stand up! Stand up! my braves,
The army ne’er forsake;
March on! March on! all hearts resolved,
The tyrant’s power to break.
We boast not of our might in number;
Our weapons are not carnal steel;
The weight of arms does not encumber
Our progress in the battle field;
Our progress in the battle field;
But truth, the mighty arm of power,
Shall smite the great Goliah down,
And pluck from Monarch’s head the crown
Which o’er our race has long been towering.
Be brave! Be brave my boys!
March on! March on! all hearts resolved
To leave the ranks no more.
’Tis true that we are few in number,
And yet, those few are brave and strong,
Like Athen’s mighty sons of thunder,
Upon the plains of Marathon;
Upon the plains of Marathon;
With courage bold, we’ll take our station,
Against the mighty host of whites,
And plead like men for equal rights,
And thus exalt our fallen Nation.
“To arms! To arms! my braves,”
The sword of truth unsheath.
Match on! March On! all hearts resolved,
On Liberty or death.
New York City's "best and only" Folk music record label.
Jalopy Records is the in-house record
label for the Jalopy Theatre and School of Music, located in Red Hook, Brooklyn, NY. The Jalopy Theatre is a grassroots community music venue and cultural center dedicated to folk music from the United States and around the world....more
supported by 61 fans who also own “The Voice of Six Hundred Thousand Nominally Free”
This album is one of my favorite discoveries on Bandcamp. "Waltzes, rags and blues" doesn't begin to describe how immersive an experience it is listening to these songs; which transport you to the early part of the last century. The collection toggles between USA and Italy and though the band has mastered both locales, I find the Italian songs are truly swoonworthy. Such a brilliant group of artists playing on this album. It's just fabulous! Bravo Jake for putting this together! Jeudi
supported by 61 fans who also own “The Voice of Six Hundred Thousand Nominally Free”
I have listened to bluegrass and old-timey style banjo music for many years. Nora Brown has the most poetic interpretation of these styles that I have heard so far. She is the John Fahey of banjo (but also with striking vocals). brit_b